About

Garrett is an accomplished audio professional with over 25 years of experience in sound design, editing, mixing, and dialogue production. His career began at a recording facility in Toronto, where he specialized in music production, voice recording, analog recording and mixing techniques, and audio restoration.

After moving to Los Angeles in 2008, Garrett interned at Danetracks studio, where he learned from legendary sound designers Dane Davis, Bill Dean, and others.

He has since contributed to more than 200 video games and numerous projects across film, TV, and advertising. Garrett has worked with industry giants like Microsoft, Sony, EA, Activision, Ubisoft, Take-Two, Amazon, Riot, Capcom, Namco Bandai, Nintendo, Konami, and Warner Brothers. His work has earned a MPSE Golden Reel Award, and 11 Golden Reel Award nominations.

Garrett is serving his fourth term as a board member of the Motion Picture Sound Editors (MPSE), where he chairs the Game Audio and Website Committees and oversees the MPSE Wavelength Game Audio Annual Fall Editions. He also contributes regularly to the Game Audio column for Wavelength quarterly editions.

In 2017, Garrett founded Pacific Coast Audio Post LLC (PCAP), specializing in game audio. PCAP also offers linear audio post-production for TV and film, field recording, and multi-channel mixing.

Garrett’s IMDB Credits

Dan is an award-winning post-production audio professional with over 150 games and dozens of TV, Film, and Documentary projects under his belt. A graduate of the Middle Tennessee State’s Audio Production program, he started his audio career in the recording studios of Nashville. In 2008, he moved to Los Angeles and changed his professional focus to post-production sound. An influential internship at Danetracks spearheaded that shift to post sound, and the rest is history.

Over 15 years later Dan has worked on hundreds gaming projects as an external audio partner, helping to facilitate dialogue’s prominence in game audio with partners such as 2K Games, Activision, Capcom, EA, Gearbox, Gunfire Games, Microsoft, Naughty Dog, Nintendo, Respawn, Square Enix, Sony, Valve, Warner Bros Games, and many more.

Dan has found his niche in game dialogue editorial, creating pipelines for dialogue production from pre-production to final delivery & asset implementation. Methods tailored to meet client requests, budgets, and deadlines with fully documented workflows. In addition to a variety of dialogue processes, he is also adept at field recording, voice over / ADR recording, and foley cueing, recording, and editing.

Dan has been with PCAP for over 6 years and relishes his roll in helping bring excellence in game dialogue to PCAP’s partners.

Outside of the audio world, Dan can be found enjoying the outdoors with his dogs, family, and friends- hiking, fishing, snowboarding, and snowshoeing. He is also an avid gamer and is hooked on playing hockey and curling.

Dan’s IMDB Credits

Amelia is the studio manager of PCAP. She has over 18 years of experience in administration and media management.

A long-time non-profit administrator, Amelia loves to share her time and resources to non-profits in California.